A production designer known for his work in the commercial world, and on high-end music videos for the likes of Beyoncé and P!nk, Jc Molina had his work cut out for him on Honey Boy, helping to def…
, helping to define a visual approach to a film where incredibly raw memory and gorgeous fantasy would collide.examines the turbulent childhood and early adult years of an actor’s life, as he struggles to reconcile with his father, an alcoholic ex-rodeo clown whose abuse and neglect were both intensely felt from a young age.
Then, we were shooting in Canada for an Olympic commercial. I remember we were in the car scouting, and Alma was like, “Hold on, everybody. Shia just sent me this script that we’ve been talking about for a while. I have to stop everything and read it.” I remember her talking to me about it—she was like, “God, it would be so cool if we all did this. It’d be a real interesting experience”—and this is super early on.
DEADLINE: How did you approach scouting locations, like the motel complex where Otis and his father live, or the treatment center where an older Otis winds up? How did you work with spaces like that to capture the essence of LaBeouf’s real experiences?: What I love about Alma so much is that when we go director scouting, it’s an all-day thing, and we see all of the locations.
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