While some series may seem almost guaranteed to win in certain categories at the Emmys tonight, THR's TV critics Daniel Fienberg (TheFienPrint) and Angie Han (ajhan) say there are still some possible unexpected (and exciting) wins
I want to begrudge Sudeikis his win because of how boring that outcome is, but in a ridiculously thin field — everybody loves Kenan Thompson, but come on — he’s actually the best contender for his impeccably earnest, cookie-baking bundle of inspirational quotes.
were creepy, allegorically rich and fully committed to period lunacy, but both might have been too uneven.I’m happy to kneel to, to be honest. The fourth season felt like the strongest yet, offering the most pointed critique we’ve seen so far of the institution it’s portraying. It’s not that earlier seasons painted royal life as some fairy-tale fantasy; to the contrary,has always made a point of the restrictions and sacrifices that come with the role.
As for its cast, I was especially taken with Josh O’Connor’s portrayal of Prince Charles as a man whose unhappiness hardens into callousness. I was less enamored of frontrunner Gillian Anderson’s Thatcher, which felt more like a great impression than a great performance. But as you say,is a heavy favorite, and there’s little chance of it going underappreciated.
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