The painting, ”Dance in a Subterranean Roundhouse at Clear Lake, California’ anchors new de Young Museum exhibit Jules Tavernier and the Elem Pomo.’
“Dance in a Subterranean Roundhouse at Clear Lake, California” an 1878 painting by Jules Tavernier, is back in San Francisco for the first time since the artist completed it.This one painting would have been enough to command attention, installed among the de Young Museum’s American art collection. It was back in San Francisco for the first time since it was completed in 1878 by French-born artist Jules Tavernier in his studio, originally near Portsmouth Square.
Robert Geary, an Elem Pomo cultural leader and regalia maker who lives in Clear Lake Oaks, first saw Tavernier’s painting on exhibit in New York. He became one of the de Young exhibit’s co-presenters, along with Dry Creek Pomo scholar Sherrie Smith-Ferri and Eastern Pomo artist and curator Meyo Marrufo.
“’Jules Tavernier and the Elem Pomo’ is a timely exhibition that brings alternative perspectives to narratives that have dominated the interpretation of American history and art from this period,” said Thomas Campbell, director of San Francisco’s Fine Arts Museums that include the de Young. Insights from the Elem Pomo community, he said, show the impact of Western expansion and highlight “the resilience and significant heritage of this community.
The Elem Pomo people who worked on the exhibit point out an irony of Tavernier’s roundhouse painting.
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