'I do have this bet with myself that, on the last performance, every shot of whiskey and every beer will be real, and I’ll get absolutely sloshed as I do the show because I won’t have to do it again.'
has long stood as a staging area for actors we now associate with raw masculinity. From its premiere in 1980, at San Francisco’s Magic Theater, the two-act, two-character play, which tells a story of fraternal warfare between brothers Austin and Lee, has had an A-list cast of angry men as leads. Peter Coyote, Tommy Lee Jones, Peter Boyle, Gary Sinise, John Malkovich, James Belushi, Erik Estrada, Dennis Quaid, Randy Quaid, Philip Seymour Hoffman, John C.
] I’m sorry, somebody’s shouting at me on the street. I remember Phil Hoffman always saying this is the hardest play he ever did. I remember thinking, “Oh, it seems like it’s so much fun.” If you do it right, it seems like a ball, but there’s something about the darkness at the heart of this play that’s very powerful and hypnotic. Paul and I are either attacking or being attacked for two and a half hours. It’s just on from the second you walk on stage.
HAWKE: That’s easy, just be me. There’s some kind of shamanistic thing that can take place with acting, where the role is kind of invited into you. My wife asked me to work harder at leaving Lee at the theater because he permeates your whole existence while you’re playing him. These plays get into you. They’re like an incantation or a guided meditation on the subject matter — in this case masculinity and family and anger and loss and fear. It invites all this stuff inside of you.
HAWKE: Yeah, Lee would. He totally would listen to Van Halen. What am I saying? I’ve lost all boundaries. I am Lee. Okay, classical music, for example. You can listen to some classical music and it really helps.
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