On Reputation, taylorswift13 embraces her contradictions, acknowledges her flaws and refuses to let you judge her. Below, branniganlynch argues why her 2017 effort is her best album to date
, too. Are the peaks quite as high? If we’re talking karaoke sing-alongs and wedding dancefloors, no -- the best cuts on those two K.O.sinks its teeth into something far more interesting: the thrill and purpose of an artist hellbent on freeing their mind from the expectations of others.'s genius lies in context -- you need to know the public image battle that preceded it to fully appreciate the maturation Swift shows as a lyricist.
More important than her pen remaining pointed, however, is the fact that for the first time on an album, Taylor sounds like an honest-to-god human. She's been brilliant sinceReputation , Swift has finally realized that being right or getting the last word isn't the most important thing. You might be the messy one, the lost sheep, the sinner, the seducer. A real grownup can acknowledge that sometimes, they are the bad guy . And as long as that isn't your entire existence, that's fine.
When she gets deliciously petty on "This Is Why We Can't Have Nice Things," you don't get the sense that she thinks it's justified – but she's relishing playing the part of an asshole for a minute . But the real crux of the album is found in "Gorgeous," which sees a frisky Swift romanticizing her drunken attempt to cheat on her boyfriend because a dangerously attractive stranger has entered her field of vision. A stentorian moralist might lash her for abandoning the mantle of 'immaculate princess' in favor of becoming a tipsy twentysomething torn between cheating on her partner or cuddling her cats, but one is a hell of a lot more relatable than the other.
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