REVIEW: Adam Driver and Greta Gerwig’s 'White Noise' is unsuccessful because its various energies eventually begin to feel mismeasured.
into a mashup of popular American Eighties styles, both high and low: the popcorny ensemble adventure, the sitcom, the Reagan-era adult prestige drama. He’s faithful enough to the shape and feel of those styles for us to notice not only when he moves between them, but for us to recognize that we, too, are a step removed from reality. We aren’t watching a simple, nostalgic tribute to the Eighties.
You’d have to expect as much from a movie so committed to evoking an era of movies that belonged to the movie brats and their peers. The scene of the biohazard disaster is big, silly fun, vapidly entertaining — all the more so for being intercut with an equally sensationalistic bit of showboating from Professor Gladney and his colleague, Murray Siskind , with the two of them doing a tag-team duet, to a rapt audience full of students and professors, on Elvis and Hitler.
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