On his new album, 'Bronco,' masked country crooner Orville Peck incorporates lush productions that borrow from traditional bluegrass, California psych rock, and doo-wop, but the layered arrangements sometimes drown out his most revealing moments.
, his decadent baritone and mysterious persona immediately earned him a cult following. Created in the safety of anonymity, his descriptions of heartbreak and loneliness washed over listeners, their intimacy heightened by sparse musical accompaniment. But as quickly as fans were drawn to him, some were just as eager to unmask him, and eventually he was identified as Daniel Pitout of Canadian garage and punk groups Nü Sensae and Eating Out.
Released in three “chapters”—the first on March 5, the second on March 11, and the last on April 8—delivers lush productions that borrow from traditional bluegrass, California psych rock, and doo-wop. But as lovely as the album sounds, its tightly layered arrangements drown out what should’ve been its most revealing moments.
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