From Bottle Rocket to The French Dispatch, here's every meticulously designed movie by Wes Anderson, ranked.
: Distinctive color palettes; elaborate, symmetrical sets; quirky supporting players; impossibly convoluted plots. And no one is better at blending melancholy and humor. There is real tragedy in these stories—and real passion—but neither hope nor sadness slows down Anderson’s wry wit. His characters are deeply flawed individuals, often with dysfunctional relationships and an absence of self-awareness.
Even minor roles from new Anderson inductees like Elisabeth Moss, Henry Winkler, Christoph Waltz and Rupert Friend are, as could be expected from a perfectionist like Anderson, a snug fit. The precision with which Anderson once effortlessly deployed anguish, familial strife, love, insecurity and, perhaps above all, loss, within his carefully constructed signature filmmaking is largely absent from his newest endeavor.
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