Now that Paul Mescal has his first Oscar nod and is capturing everyone’s attention, it’s a perfect time to revisit his other overlooked spectacular turn this year.
. I’m glad Academy members had enough sense to recognize such an impressively concealed performance, particularly in a category that’s often filled with older, established men doing hammy impersonations of dead people in bad prosthetics. , I hope this moment for Mescal encourages more people to seek out the film and, consequently, ruin their mental healthany future listenings of Queen and David Bowie’s “Under Pressure.
However, she spends the remainder of the film wrestling with her decision, the town’s reaction, her relationship with Sarah, and the boy she thought she raised properly. All this tension amounts to a very Biblical ending that is satisfying but still leaves you with a pit in your stomach.for the first time, I couldn’t help but think about what an interesting companion piece the film is for. Both movies require their stars to give show-not-tell performances.
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