'I consider myself very lucky to be in the situation that I am. I'm really, really grateful for all the opportunities I've had presented to me throughout my life. I'm trying not to take it for granted.' vegynvegyn
One moment he might be channeling Aphex Twin on the string-laden"Debold" and the next weaving a horse's ludicrous neigh into intricate footwork patterns, but Vegyn remains the steadfast glue that holdssat down with the producer to discuss his debut, haggling in Chinatown and why he considers Stereolab to be"marxist music."I started February last year when I was trying to figure out a lot of stuff, and then had to make a record.
I initially made a bunch of ideas and spent about six or seven months polishing — trying to embellish as many different facets of it as I could, or have other people play on it or add strings, which is great... Owen Pallet did those. I tried to do a deep dive on as much of it as I could until I was losing my mind. Definitely a focus on the detail. I like that listening experience when you can go back and every time you listen to it there's a different element of it that pops out.
It feels hard to categorize this record because one moment you'll be listening to a hip-hop beat and the next it's a pseudo-footwork pattern. I guess that's part of the schizo edge. I get bored really quickly. It's fun to someone speed up a track, like"Cowboy ALLSTAR" is getting faster and faster and faster the whole way through. I think that's sick. It's really fun to catch people off guard or make people laugh."Cowboy ALLSTAR," that fucking horse sample, I play that for people and people will always laugh and I love that. It is fucking stupid, but it's sick.
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