Randy Newman talks how he unexpectedly created Disney's musical identity despite his affinity for darkness
on working with Noah Baumbach, writing a song about an introverted spork and how he unexpectedly created Disney's musical identity despite his affinity for darkness.You have to be able to get along with the director you work with. And I like him. He's a good guy. And the music has gotten better through each picture. I just tell him to give me adjectives, like "loud" and "soft" and "pretty" and "not so pretty.
There's a hint of the past in them — a storybook, once-upon-a-time type of thing. But I don't really do scores the way some composers do, where there are definite themes, and they bring them back and develop them. I like it better to just play what's going on in the scene. I think maybe that's what I'm good at.I used a hundred musicians. This one maybe 40, which is a big difference. Fewer strings, fewer everything. I hadn't used that size orchestra before.
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