At 30, and already an accomplished novelist, Guo Jingming deftly turned himself into one of China’s top film directors when he unleashed bratty, aspirational comedy-drama “Tiny Times” on an eager p…
deftly turned himself into one of China’s top film directors when he unleashed bratty, aspirational comedy-drama “Tiny Times” on an eager public in June 2013. Then he showed his understanding of marketing strategy by releasing a sequel barely six weeks later.
The story involves a snake dragon, and a cabal of Yin-Yang masters, a scheming princess and a well-placed palace guard who each have other plans for the power of the demon than the one they advertise., completed most of their lensing before the coronavirus-induced lockdown, and completed principal photography at Hengdian Studios in April. They are now in post-production, and with distribution in China targeted towards the end of the year, if mainland cinemas are allowed to reopen.
“The advantage of making a film from contemporary literature is that audiences know the story and characters. ‘Onmyoji’ has a lot of faithful fans around China and Japan. So we already have an strong audience base with great expectations and a big space for imagination,” Guo told. “But there are also limitations. We cannot make dramatic changes to the personalities of the characters or the storyline, audiences also know the plot in advance.
France Dernières Nouvelles, France Actualités
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