It's also one of the most memorable episodes of the series.
The Big Picture One of the greatest strengths of long-form television is the ability to create standalone episodes that play with an established formula. Taking a framework that audiences have spent dozens of hours becoming accustomed to, only to flip the whole thing on its head with an installment that feels like a backdoor pilot to an entirely new show, is an incredible asset if used correctly.
The episode opens with a color image of a comic book entitled “The Great Mutato” before fading into its black-and-white drawings of small-town America as a not-so-subtle hint that you shouldn’t take anything you’re about to watch seriously.
As you’d expect, the imagery goes a long way in supporting this. Even after twenty-six years, “The Post-Modern Prometheus” remains one of the most gorgeous visual experiences in television, but that should come as no surprise to long-term viewers. The noir-fueled iconography of The X-Files – complete with a muted color palette and a hefty dose of chiaroscuro lighting – had seen it flirting with black-and-white photography since its pilot, but the results are still impressive.
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