.charli_xcx talks about writing “Speed Drive” for the Barbie soundtrack: “I’ve always really liked singing about cars. There is this intrinsic link between driving and music and feeling like you’re a star when you’re in a car.”
to perform, is intrinsic to the DNA of the film, according to Weaver. But Ronson and Wyatt also became integral to the story: Together, the twosome composed an original score for the movie, and Ronson serves as executive producer for the soundtrack. Over nearly a full year, Ronson was tasked with helping curate songs that perfectly matched what Gerwig had envisioned. The soundtrack came together just as the movie did: working in lockstep and feeding into one another.
was being edited, Ronson and Gerwig got into the habit of showing scenes from the film to a new artist on their wish list each week. “My parents were like, ‘Oh, my God. No.’ They were really worried that I was going to get up on the stage and cry, and it would be a disaster,” she explains. “But I was adamant that I wanted to do it. I just sang it on the microphone with new music — the whole song — and I won the contest.”a few scenes to pick from, but pop’s foremost lover of car anthems was hooked on the chase scene, and ended up penning “Speed Drive.
She wanted “Speed Drive,” where she flips Toni Basil’s “Mickey” for the chorus, to “feel quite bratty” and “about just being hot.”
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