The Creator DPs talk cameras.
Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT In The Creator, a jaded ex-special forces soldier, Joshua, is recruited by the U.S. military to find the mysterious Creator, the illusive architect of Artificial Intelligence. Rumors have spread that the Creator has forged a new weapon that could turn the tide of the war between humanity and AI. However, when he finds the weapon, it is an AI robot in the form of a child who has the answers he has been searching for.
And in this case, it's really just my hats off to Greig and Gareth for just taking that ...
And so, the small camera choice was ultimately driven by the logistics. And it just opened up this whole other world of filmmaking for us, while still being able to provide an image that was that enough of a quality for the visual effects and color grading work that needed to be done to it down the road.
It happens. Trusts me, it happens. And in fact, at the beginning, of course, everybody was saying, "Are you sure? Are you sure you want to use that?" Everyone was trying to come up with a reason why we maybe couldn't use this. Not everybody; I mean, obviously everybody who had an opinion said, "Are you sure? Are you sure?"
Obviously, this film touches on AI. Oren, this film obviously shows AI in kind of a different light. Do you think there's a place for AI in the entertainment industry? And is there a way to show AI's merits instead of its evils? And so, at the end of the day, once you make that mental switch, you realize that, well, technology is a technology at the end of the day and people are going to use it well, and people are going to use it poorly. And it's sort of our job, as artists and filmmakers, to determine whether or not that kind of technology is appropriate for our workflow.
Greig Fraser: Gareth is incredibly assured when it comes to his opinion, and also the way that he sees the world that doesn't exist. His background is in VFX, he's been a graphic designer and he has a background in VFX. So, he can walk onto a set and see the world in a way that nobody else on the set can see. That's pretty impressive.
You guys shot on real locations in this filming. Greig, you also worked on Dune 2. What can we expect from locations in Dune 2 as well?
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