As the stars of Terrence Malick’s “A Hidden Life,” August Diehl and Valerie Pachner, walked the red carpet at the film’s world premiere at the Cannes Film Festival, the famously reclusive writer-di…
Nor did he appear in video footage of the six-minute standing ovation that his film received that night.
That’s classic Malick, who’s nothing if not consistent. He’s one filmmaker you won’t see pounding the pavement for awards attention despite any buzz around “,” which tells the true story of Franz Jägerstätter, an Austrian farmer who was imprisoned and sentenced to death for refusing to fight for the Nazis after Hitler invaded Austria. Unlike most of Malick’s other works, “A Hidden Life” is his most story-driven film, told through the eyes of Jägerstätter and his wife .
But no matter how accessible the film may be or how great its chances of taking home Oscars, Malick won’t be changing his ways anytime soon. He is not a campaigner. He is not a promoter. He hardly does any press. Most people in Hollywood wouldn’t recognize him if they passed him on the street.
“A Hidden Life” could — and should — earn a best picture nomination as well as one for original screenplay. Could Malick help its chances by doing even
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