Taylor Sheridan and Terence Winter team up for Paramount Plus' undercooked fish-out-of-water mob story
Allen Coulter directs the first two episodes, in an act of full commitment to the David Chase antihero oeuvre. As we open, Stallone’s Dwight Manfredi is found leaving prison, scoffing at the new Manhattan of Apple stores and VR headsets, on a path to rectify the sins of his past, build a new life, accrue something of a new crew. “I married this life, I’m gonna see if it married me back.” At his welcome home party, he comes in hot, though.
Either way, he lands in Tulsa with vague assignations dealing with “horse races,” immediately hires a driver , strong arms his way into the medical-marijuana business , and bounds the realms between mountainous stoicism and semi-comic violence. Yes, Dwight might use a canteen, thrown like a shortstop turning two, no less, to combat a security guard, but he also might deadpan lament prison’s tiramisu.
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