The Cow is a film about a mystery that comes with many mysteries of its own, chief among them being the question of why Winona Ryder’s career is so shaped by her past. Stranger Things may have brou…
may have brought her back to the public eye, but it seemed to claim her as an ’80s icon when Ryder only had a walk-on part in that decade’s final reel. Her role in Darren Aronofsky’s 2010 ballet psychodramalikewise came with a sting in the casting, pitting Ryder as the outgoing grand dame against Natalie Portman as an ingenue snapping at her heels. And here again, much mention is made of her age when Sandra Bullock—seven years her senior—could lead a bigger movie without a peep.
It’s hard to say much more without spoiling things, but suffice to say that it is a genre film despite the bewildering flim-flam to suggest it might not be . The denouement is surprisingly dark, too, but although the constant references to age and aging are merited in the end, it’s still so dispiriting to hear so much made of Kath and Max’s age gap.
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