The Film That Lit My Fuse is a Deadline video series that aims to provide an antidote to headlines about industry uncertainty by swinging the conversation back to the creative ambitions, formative …
King started squarely in the horror genre. His first published novel was, whose first pages King famously tossed in a wastebasket, only to have wife Tabitha fish them out, read them, and convince him to keep going. That soon became the Brian De Palma film with Sissy Spacek. From there, his filmography swelled, and he has broadened out to numerous genres, including non-fiction. I’m halfway through, and there is no supernatural influences, at least so far.
This has been made possible by a rather simple filmmaker-friendly formula. He asks for a symbolic buck up front for an option, against a generous backend. But King holds creative controls over what is done to his work; he welcomes imaginative adaptations, but a large part of how he does business is meant to protect his books and short stories from languishing, a fate that befell many authors who were hard up for cash and took outright screen/TV rights buyouts.
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