Video projections allows Arizona Opera to create bigger sense of place for Mozart's comic opera, and casting shines the spotlight on company's studio program.
Cathalena E. Burch When it introduced Daniel Rigazzi's steampunk vision of Mozart's"The Magic Flute" in 2015, Arizona Opera relied on minimalist staging and Leslie Bernstein's revisionist Victorian-era costumes.
People are also reading… When the Queen of the Night , who sported a headset crown and wings, first appeared, thunder crashed with a startling thud and brilliant flashes of lightening lit up ominous clouds, taking you into the heart of a storm with evil intentions. The projections also added to the humor of Mozart's fairytale about a pipe-playing bird and a wayward prince trying to rescue a kidnapped princess from the Queen's adversary Sarastro . The prince, given a photo of Pamina by her mother, falls instantly in love. Papageno is a reluctant participant in the search, but he confesses he, too, would like to find love. For either to achieve their happy endings, they must not say a word to their love interests on their journey to the Temple.
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