The long-awaited sequel, 'Spider-man: Across the Spider-Verse,' leans even harder on the multiverse angle as a metaphor for identity crises and elusive self-knowledge
In the grand scheme of superhero movies, 2018’s “Spider-man: Into the Spider-verse” swings the highest. It’s one of thosewhose casual brilliance belies dozens of open-hearted, risk-taking decisions we’ll never know about, but that translate fully to the screen.
The long-awaited sequel, “Spider-man: Across the Spider-Verse,” leans even harder on the multiverse angle as a metaphor for identity crises and elusive self-knowledge. How should Miles react when people tell him he doesn’t belong somewhere? As a biracial teenager that’s a near-constant in his life, despite the unflinching support of dad/police officer Jefferson Davis and bilingual mom Rio Morales .
Instead of picking up right where we left off, the story starts with a peek into the life of Gwen Stacy , a.k.a. Spider-Gwen, who befriended and guided Miles in the first film when she traded her own universe for his. She misses him and feels guilty for lying to her own police-officer dad about her superhero identity. That parallels Miles’ messy reality, but also the canon that outlines most Spider-Man characters, who share tragic backstories and crime-fighting concerns in flashy urban milieus.
Gwen and Miles must navigate a range of realities as they battle The Spot , a scientist transformed by the first film’s particle-collider explosion who wants only to fill the world with holes . A motley Spider-Society must decide how to defeat a villain who’s everywhere and nowhere. Never does the meta-commentary, including some art in-jokes and capitalist critiques, devalue the earnest designs.
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