French-born Frédéric Yonnet, who also collaborated with Martin Scorsese on “The Irishman,” was tapped for the soundtrack of “Killers of the Flower Moon.”
like the lush fur of a mink coat. It might smell like a musky cologne and taste like that first sip of expensive champagne. It almost certainly looks like a center hall of a mansion — glossy, gilded, a little garish.like? Martin Scorsese contemplated the question in thinking about the musical accompaniment to his historical drama “Killers of the Flower Moon” and came up with an answer that might surprise you: a harmonica.Specifically, it sounds like D.C.
Yonnet was introduced to Scorsese through composer Robbie Robertson, a regular collaborator of the legendary filmmaker. Robertson, who died in August after a storied career as a member of the Band, in addition to his many Scorsese projects, brought Yonnet on to “The Irishman” and offered the harmonicist a few instructions: Be sneaky, sexy and unexpected. Robertson gave him, Yonnet recalls, “the license to kill.
For Scorsese’s latest film, which opens Friday, Yonnet needed his instrument to signal a lust for money so blinding it could compel men to murder members of the Osage Native American tribe in a quest to control their land’s oil. Yonnet initially recorded in Los Angeles, then, once film editing had begun about 10 months later, he was asked to record some additional music from a studio in D.C.
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