“I’m not coming back to ‘The Sopranos,’” Aida Turtorro, the two-time Emmy nominee for her role as Janice Soprano in the iconic HBO series, said Wednesday on the red carpet for the show’s long-await…
took the stage. “‘The Sopranos’ is ‘The Godfather’ of the Golden Age of television,” De Niro said, there to kick-off Tribeca’s Fall Preview. “And I have a certain fondness for prequels to gangster stories.”ended the show in 2007, Turtorro’s and De Niro’s measurements embodied the evening’s coexistent scales — personal and profound.
. “I don’t think he likes to give anything away, but I, like you, had to figure out what this film was about.”Yes, you can’t come to this movie without wondering about Tony,” Taylor continued, “because we know where he wound up. You wonder, is his destiny shaped? And for me, the question for all of us is whether we can rewrite who we are. Every character is trying to rewrite themself in this film.
Like “The Sopranos,” New Line Cinema’s “Many Saints” is concerned with the twisted psyches that turn its characters into monsters, sharing in a Freudian impulse that distinguishes the film as uniquely part of Chase’s gangster universe. When mobsters in “Many Saints” murder, they commit crimes of passion — violent outbursts from real traumas, not business transactions.
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