Hit the campaign trail with Max’s new journalism dramedy, The Girls on the Bus, based on Amy Chozick’s 2018 memoir, ‘Chasing Hillary.’
We get it: There’s an overwhelming number of television shows right now. The streaming landscape is an impractical maze, and the good stuff easily gets lost in the shuffle. But most of us can still find one show that cuts through the noise. We call this— or the time you carve out in your busy schedule to watch the show you’ll want to unpack the next day with your friends while it’s still on your mind. Tune in here each month to read what writer Michel Ghanem, a.k.a.
Each of the leads navigate obstacles in their personal and professional lives throughout the season while weeks of the primaries drag on — but the show is most compelling when the four journalists are together, forced to lean on each other for advice and favors. As a group, they don’t always see eye to eye on political issues, which leads to some entertaining spirited debates on issues ranging from the contemporary tenets of feminism to the role of personal bias in journalism.
It’s silly and fun without neglecting the fact that political journalists take their work very seriously — regardless of the general public’s dwindling interest in caucuses, let alone electing candidates with legitimate résumés .is far enough removed from our own political reality to feel like fun escapism, but the stakes feel tangible enough to care about finding out which candidate receives the Democratic nomination.
It’s hard to make an exciting show about journalism, particularly at a time of widespread layoffs across the industry and misinformation circulating on social media. When shows do depict journalists, they tend to be soapier than anything else (I’m looking at you,seriously, all with the help of believable chemistry between the leads and writing that feels pulled from the page of a political journalist’s expertise.
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