Review: Standing her ground in tense docudrama, Reality Winner discovers she's in quicksand

France Nouvelles Nouvelles

Review: Standing her ground in tense docudrama, Reality Winner discovers she's in quicksand
France Dernières Nouvelles,France Actualités
  • 📰 latimes
  • ⏱ Reading Time:
  • 79 sec. here
  • 3 min. at publisher
  • 📊 Quality Score:
  • News: 35%
  • Publisher: 82%

Tina Satter adapted her 2019 play, based on an FBI transcript from the agency's interrogation of Reality Winner, into a film starring Sydney Sweeney.

as the first person charged by President Trump’s Justice Department under the Espionage Act for leaking a government report to the media, in this case evidence of Russian interference in U.S. elections to the Intercept. She was sentenced to prison for five years and released after three for good behavior.When the feds roll up to her boxy corner house in a leafy suburb, Winner is outside in cutoff jean shorts, a white button-down shirt, and unlaced yellow Converse.

These are dense minutes, weirdly polite and surreal, but once these three players move to an unused utility room devoid of furniture, we soon realize “Reality” won’t be constrained by the play-by-play of a just-the-facts-ma’am procedural, or conversely by foregrounding itself as a politically driven account about a whistleblower wronged by a venal, shady administration.

Satter, who with James Paul Dallas adapted her 2019 play “Is This a Room,” does occasionally break up her experiment in verbatim docudrama with cutaways and effects, and they all work keenly to exacerbate either the tension or the bizarreness. Time stamps and inserts of the transcript and .

There’s nothing missing, however, from Sweeney’s fermata of a performance, naturalistic and forensic, her reality/Reality a swirl of hopeful obfuscations eventually coming to grips with the fact that she’s not in some mucky puddle she can step out of — she’s in quicksand. But she won’t go without defending herself, without a piece of context, a sense of who she is beyond pets, languages, guns and weights, and where she saw the country going.

As her life up till then closes in a day-lit, stark room, the impact of Satter’s deceptively heavy depiction of the individual against the state crystallizes. “Reality” reaches beyond Winner’s experience on one momentous Saturday afternoon to prod us all into contemplating our own relationship to actions over words, and the powerfully wielded consequences that keep many — but thankfully, not all of us — from doing nothing.

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