Custom image featuring Amandla Stenberg and Manny Jacinto in The Acolyte
The Big Picture A wide disparity on Rotten Tomatoes between the “Tomatometer” and the Audience Score isn’t anything new, but still points to some sort of disconnect between critics and the movie-going public. Or, at least, the movie-going public that feels they need to voice their opinion on Rotten Tomatoes. Take The Acolyte, the latest Disney+ foray into the world of Star Wars. It currently sits at 83% with critics, but only 14% with the audience.
It wouldn't arguably be until 2014 that review bombing entered the realm of television and film, instigated by Kirk Cameron, of all people, and his 2014 Christmas turkey Kirk Cameron's Saving Christmas.
The anonymity of social media has allowed an even uglier side to review bombing, ones that target films and television projects for their inclusion of LGBTQ+ characters and racial diversity. The review-bombing towards LGBTQ+ inclusion in the Star Wars universe prompted Kathleen Kennedy to call out the franchise's vocal male fanbase for their attacks, in an interview with the New York Times.
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