Review: A stirring Act 1 of ‘Die Walküre’ and Sibelius’ Sixth Symphony in Fort Worth

France Nouvelles Nouvelles

Review: A stirring Act 1 of ‘Die Walküre’ and Sibelius’ Sixth Symphony in Fort Worth
France Dernières Nouvelles,France Actualités
  • 📰 dallasnews
  • ⏱ Reading Time:
  • 92 sec. here
  • 3 min. at publisher
  • 📊 Quality Score:
  • News: 40%
  • Publisher: 71%

Three estimable Wagnerian singers joined the Fort Worth Symphony.

Tenor Brandon Jovanovich , soprano Karita Mattila and bass Raymond Aceto in Act 1 of Wagner's 'Die Walküre,' with Robert Spano conducting the Fort Worth Symphony Orchestra at Bass Performance Hall in Fort Worth on April 19. 2024.FORT WORTH — There was some splendid Wagner Friday night at Bass Performance Hall.

A basic staging by James Robinson brought the characters to life, although some Hundings have exuded more physical malice. Siegmund’s great “Winterstürme” aria, hymning love and spring, could have used some light effect that didn’t happen, and retrieving the magic sword Nothung from under a chair seriously shortchanged that dramatic moment.But the siblings’ awkwardness was aptly tangible, and Jovanovich’s heroic tenor rang out through the hall.

Operas intended for singers onstage and orchestras in pits can be a challenge to balance. But, even with singers behind him, Spano never let the orchestra overpower the voices. Siegmund’s flight music at the start could have used a little more desperation, but Spano shaped and balanced the whole score with smarts and sensitivity, and the orchestra played splendidly.

Principal cellist Allan Steele supplied a particularly beautiful solo for the siblings’ meeting, and horns oh so subtly intimated the motif identifying the twins’ father, the god Wotan.Text translations were supplied on a big screen over the stage. But, in an unfortunate misjudgment, said screen was dominated by projection of simultaneous video of the performance, with switching camera angles. So we got larger-than-life singers, players and conductor projected over the real ones.

Violins might have been a little tidier at the first movement’s quickening pace. And the violins’ four-part textures at the beginning would have been clarified if second violins had been seated on the right of the stage, opposite the firsts. The symphony got a fine performance otherwise, carefully plotted and proportioned.Repeats at 7:30 p.m. Saturday April 20 and 2 p.m. Sunday April 21 at Bass Performance Hall, Fourth and Commerce, Fort Worth. $26 to $99. 817-665-6000,, Special Contributor.

Nous avons résumé cette actualité afin que vous puissiez la lire rapidement. Si l'actualité vous intéresse, vous pouvez lire le texte intégral ici. Lire la suite:

dallasnews /  🏆 18. in US

France Dernières Nouvelles, France Actualités

Similar News:Vous pouvez également lire des articles d'actualité similaires à celui-ci que nous avons collectés auprès d'autres sources d'information.

Review: Fort Worth Opera presents a hybrid staging of ‘La bohème’Review: Fort Worth Opera presents a hybrid staging of ‘La bohème’On April 5, 2024, in its first Bass Performance Hall appearance since a 2022 'La traviata,' Fort Worth Opera presented Puccini's 'La bohème.'
Lire la suite »

Review: Fort Worth’s Amphibian Stage presents ‘Marie and Rosetta’Review: Fort Worth’s Amphibian Stage presents ‘Marie and Rosetta’George Brant’s musical play about singers Sister Rosetta Tharpe and Marie Knight is enjoying a spine-tingling production at Amphibian Stage in Fort Worth.
Lire la suite »

Dallas Symphony plays Mahler’s Fifth Symphony, new piano concertoDallas Symphony plays Mahler’s Fifth Symphony, new piano concertoThe Dallas Symphony Orchestra had two “firsts” Thursday night: music director Fabio Luisi’s first DSO-only performance of a Mahler symphony — the Fifth — and,...
Lire la suite »

The Police’s Stewart Copeland is back in Dallas, deconstructing his catalogueThe Police’s Stewart Copeland is back in Dallas, deconstructing his catalogueCopeland will perform with the Meadows Symphony Orchestra at the Meyerson Symphony Center.
Lire la suite »

Review: Guest conductor didn’t get the best out of Dallas SymphonyReview: Guest conductor didn’t get the best out of Dallas SymphonyWith a lot of young people in attendance, the audience for Thursday night’s Dallas Symphony Orchestra concert was certainly enthusiastic. But guest conductor...
Lire la suite »

Review: Herbie Hancock and a sterling sextet ignite Symphony Center JazzReview: Herbie Hancock and a sterling sextet ignite Symphony Center JazzHis Symphony Center appearance on Saturday — his 14th in 26 years — plotted the best path possible with a concert that acknowledged Hancock’s ubiquity while resisting a best-hits roadshow.
Lire la suite »



Render Time: 2025-02-25 19:03:21