“I hope that the fans of the book will see in this movie a loving adaptation that stands on its own as a film.'
about moving from theater to film and why he approaches sex scenes as if they were songs from a musical.I read the book in early 2020, and I didn't see a musical, but I definitely saw a movie. I fell madly in love with Alex and Henry. I remember feeling overwhelmed by it all and wanting to take that emotion that the book caused in me and channel it into a movie.
As an enormous fan, I was predisposed to wanting to honor the book. I’m sure one day I will be sent something to fix but here, my job wasn’t to fix anything—it was to protect and shepherd it. When I saw the first assembly of the film last August, which was a third longer than it ended up being, what was clear is that if it’s not about Alex and Henry, it’s not going in the movie. There’s less than 20 seconds in which one of both doesn’t appear.
We decided to make it simple for ourselves because to do otherwise would put us in a rabbit hole. The trappings of the royal family were evident in the production design, costume design, and our royal etiquette advisor. I wanted it to look and feel authentic to our understanding as movie watchers.happens
That’s not the gallery from the book. I went there with Stephen Goldblatt, my director of photography, and it wasn’t very cinematic. Stephen took me to another part of the museum, where we shot, with lower ceilings a more contained space with beautiful statues: David and Goliath, three women, the corridor of busts and torsos—very cinematic.Yeah, my worry for the V&A is that within two weeks that hallway will be flooded with people dancing in that little corridor.
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