As always, there's no sanctioned marijuana use at Denver's April 20 event; this year, no one under 21 is allowed.
Brandon Marshall
For three decades now, there's been a marijuana celebration in Civic Center Park on April 20, and this year's promises to be big: Theof them all, with Rick Ross set to headline the free party. Waka Flocka Flame, The Alchemist, Fivio Foreign and Kaash Paige round out the headlining musical acts, while Tommy Chong will be the official host of the 4/20 fest. As in previous years, the 4/20 fest will be free, but this marks the first year that there will be an age limit: No one under 21 will be allowed in.
France Dernières Nouvelles, France Actualités
Similar News:Vous pouvez également lire des articles d'actualité similaires à celui-ci que nous avons collectés auprès d'autres sources d'information.
Denver's 2nd biggest snowstorm ever: Remembering the blizzard that crippled Denver for daysIf you’ve lived in Denver for more than 20 years -- you’ll remember March 17, 2003. It was the cold and bitter start to what would become the second biggest snowstorm ever to hit Denver. What do you remember about the blizzard? cowx
Lire la suite »
Two one-way flights or one round-trip ticket: Which is better?Booking a flight involves navigating a maze of decisions. Is it better to fly with a budget airline or full-service one? How about basic economy versus regular economy? And would you prefer pretzel…
Lire la suite »
Baby blues - Chicago ReaderThe tribulations of new parenthood form the spine for Molly Smith Metzler's Cry It Out at Theatre Above the Law.
Lire la suite »
Jason Molina's long dark blues - Chicago ReaderTen years ago today, singer-songwriter Jason Molina died at 39. Despite releasing 19 LPs in 15 years, he never achieved mainstream success. MaxBlau eulogized him in this 2014 profile. Look back at the Magnolia Electric Co. frontman's life and legacy.
Lire la suite »
Review: Godland - Chicago ReaderThe supposed premise of this film—that it’s inspired by the discovery of wet-plate photographs taken by a Danish priest in the late 19th century, as stated in a title card toward the beginning—is itself fictional, a prompt used by Icelandic writer-director Hlynur Pálmason to flesh out the larger narrative.
Lire la suite »