.emmaladyrose: Bad Art Friend needles deep under our collective skin, forcing us to look at ourselves in the mirror and ask if we’re the Dawn or the Sonya — or, perhaps more realistically, if we are both.
Because of its many layers of low-grade bad behavior on the part of all parties, the essay set off Big Internet Discussions.
that text gossip chain part of bad art friend really had me quakin in my boots, like please the law never confiscate my group textsThroughout the pandemic, group texts have become a social lifeline for many of us; a paltry but essential replacement for the real-life gatherings we used to have easy and frequent access to.
In one of the many vibrant listserv discussions about this piece that I am privy to, someone brought up the oft-repeated advice that “if you don’t have anything nice to say, don’t say anything at all.” Her takeaway was essentially that Larson and her friends, who did not consider Dorland a friend, should not have been cruel about her privately.
But judging from Twitter , many writers, if forced to choose a side, have found themselves drawn closer to Larson than Dorland. Maybe this is because so many in my corner of the internet are storytellers by nature; trained by the Nora Ephron adage, “everything is copy.” Stories are how we make sense of the complicated, often cruel world we all inhabit. Sometimes the stories we tell have clear and positive social value. But often they do not.I will die on this hill.
This is why so many of us read about the Bad Art Friends and transport ourselves into one — or both — of their shoes. We join the conversation both to telegraph our own empathy, but also to distance ourselves from Dorland and Larson’s twin fates. As journalist and podcaster: “They have… achieved the worst kind of fame, the kind where people on the internet boil your entire life down to your most regrettable relationship and argue about whether you are a bad person or a terrible one.
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