Review: How did the art world respond to the tragedy of 9/11? It didn't, one artist argues: 'It has been easier to 'grieve over the loss of architecture as though that could possibly make us fully grasp the loss of those we have loved.''
to New York’s collective nervous system immediately after Sept. 11, 2001, were mind-crippling, even if some are now dimly recalled. Routine pastimes were no longer routine.
For more than a year afterward you couldn’t photograph the Brooklyn Bridge or the Statue of Liberty without fear of harassment. The police were on alert to question anyone with a camera who happened to be aiming it at a tourist landmark. The public was jumpy, too, and made frequent 911 calls about “suspicious behavior.” Across the country, people were stopped for photographing the wrong places at the wrong time.
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