Movie reviews: 'Oppenheimer' is Nolan firing on all cylinders; the esoteric big, beating heart of 'Barbie'

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Movie reviews: 'Oppenheimer' is Nolan firing on all cylinders; the esoteric big, beating heart of 'Barbie'
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This week, pop culture critic Richard Crouse reviews new movies: 'Oppenheimer,' 'Barbie' and 'Theater Camp'

“Oppenheimer,” the story of the father of the atomic bomb, isn’t exactly a biopic of scientist J. Robert Oppenheimer. In his twelfth film, director Christopher Nolan includes biographical details in telling the tale of the man who invented the first nuclear weapons, but the movie is more about consequences than creation.

An adaptation of the Pulitzer Prize-winning book “American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer” by Martin Sherwin and Kai Bird, the three-hour “Oppenheimer” is as downbeat as its weekend competition “Barbie” is upbeat. Murphy is supported by an A-list cast, including Matt Damon, who exudes movie star charisma and Downey Jr, who erases memories of Tony Stark with a blustery performance that, Marvel aside, is his most interesting since “Zodiac.”

She lives in the fluorescent Barbieland, a feminine nirvana where “every day is the best day ever. So was yesterday, and so is tomorrow, and every day from now until forever.” “Some things have happened that might be related,” she says. “Cold shower. Falling off my roof. And my heels are on the ground.”

“Barbie” is not your typical summer blockbuster, or your regular toy-based movie. It is both those things, of course, but it somehow finds a way to push back and be its own plastic and political thing. It has both style and substance, and while its story may get overactive and muddled in its last reel, Gerwig’s point of view on gender roles and the way that women are treated in society pulls few punches.

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