Movie reviews: Jamie Foxx and Tommy Lee Jones shine in 'The Burial'

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Movie reviews: Jamie Foxx and Tommy Lee Jones shine in 'The Burial'
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This week, pop culture critic Richard Crouse reviews new movies 'The Burial,' 'Mr. Dressup: The Magic of Make-Believe,' 'Humanist Vampire Seeking Consenting Suicidal Person' and 'Stellar.'

“The Burial” is an old-school fist-in-the-air Hollywood crowd-pleaser, now streaming on Amazon Prime, whose winning performances from Tommy Lee Jones and Jamie Foxx and courtroom shenanigans are way more interesting than its downbeat title might suggest.

“The Burial” has a definite 90s vibe. It is based on Jonathan Harr’s 1999 New Yorker article, and could sit on the shelf next to “A Time to Kill,” “Primal Fear” or “The Client.” There’s even a satisfying “You can’t handle the truth” style gotcha moment.Jones leaves his crusty old man persona in the bag for this one, instead, busting out a quiet performance, informed by his character’s deeply held faith, general decentness and his determination to leave a legacy for this family.

From his start in children’s entertainment as an assistant puppeteer to Fred Rogers in Pittsburgh and the move to Canada to the creation of his legendary CBC show and his decades-long partnership with treehouse legends Casey and Finnegan, the film paints a vivid picture of the era through rarely seen archival footage and talking heads.

But don’t come to “Mr. Dressup: The Magic of Make-Believe,” looking for dirt. There isn’t any. There are no bodies buried in the Tickle Trunk. It’s Mr. Dressup for goodness sake. Trouble is, she is too empathetic to kill people. “I’m in a very delicate position,” she says. “where I’m forced to do bad things. The problem is, if I don’t do it, I’ll die.” She can only feed off people she feels a personal connection to. Her fangs won’t even appear unless she is comfortable with her prey.When a vampire pediatrician diagnoses her with an unusual degree of compassion, she survives off blood-bags supplied by her father.

“Humanist Vampire Seeking Consenting Suicidal Person” is brought alive, pun intended, by Montpetit and Bénard. The darkness of the premise is lightened by the palatable chemistry between the leads. Their work gives this off-kilter teen rom-com an undeniable sweetness in its exploration of teen life and search for identity.

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