''Move On Up' always makes me feel good. Anything by Funkadelic.'
our attempt to sort through the cacophony of music floating in the algorithmic atmosphere by consulting the experts themselves. Our favorite musicians tell us about their favorite music—the sad, the happy, the dinner party-y, the songs they want played at their funeral. In this edition, we speak with the soul singerKIWANUKA
, the U.K. native talks driving to Jim Croce, crying to Sufjan Stevens, and getting high to Shuggie Otis—plus,I’ll start by saying that I went to your playback at Soho House, and it was awesome. Is it weird for you to listen to the album?The playback was the first time I listened to it since we finished it. You listen to it for so long making the record, that once it’s done, it’s like there’s no point. When you’re listening to it before, you’re trying to see what to fix. You can’t fix it now.
I was growing up at the end of cassettes. I used to love it. You’d get a tape, you’d get the hi-fis that had two tape cassettes at the bottom and it could record the CD onto tape. You’d just be writing this tracklist down in neat handwriting and have your own, homemade thing. It was like burning CDs. I remember writing the tracklist and listening to that on my Walkman again and again. They have a really fast version of “Heart-Shaped Box” on it, and that was really influential to me.
, the Bob Dylan one. The film’s not amazing, but he’s in it and it’s got “Knockin’ on Heaven’s Door” on the album. I used to listen to that a lot. And then it moved to Curtis Mayfield,is ridiculous. That’s the first time I heard Bobby Womack.
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