An A to Z guide to Martin Scorsese’s soundtracks
, Leonardo DiCaprio’s brash young broker throws a party at his office. Strippers, a secretary with a shaved head and even a marching band parade around while his coworkers are worked into an animalistic frenzy. It could be a scene from any raunch comedy, until Scorsese drops the needle on a recording ofSuddenly, the bacchanalian excess goes from nutty to nightmarish, and the way he syncs the hedonistic abandon with James’ creeping guitar just feels. . . perfect.
Of course, Scorsese has long had a knack for finding the right pop or rock song to kick a scene into the stratosphere. For every time he’s used a Bernard Hermann score or a Bach sonata, there are a dozen instances when he’s employed vintage R&B, doo-wop, blues or British Invasion numbers — “the music we used to hear in the street,” he’s said — to liven up his films.
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