When director Chris McKay was making “Renfield” he turned to production designer Alec Hammond (“Donnie Darko”) to help deliver a fresh and updated take on the Dracula story,…
as his faithful sidekick Renfield, begins in 1931, in black-and-white. It was important, Hammond says, to set up Cage’s world in the historic context of harkening back to classic Dracula movies before jumping to the present day.
That meant having pipes sticking out of the wall instead of polished woodwork, and having reflective tile instead of stained glass. Hammond adds, “There may still be tile on the floor, but it’s broken up where it’s used to hold the blood of his victims. I wanted there to be a penetration of natural light so it feels like we are in the basement. He’s flipped his existence.
Hammond’s initial concept for Dracula’s throne was to combine “a barber chair and blood transfusion chair with all these blood bags hanging around him.”
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