A few days before “I’ll Be Gone in the Dark” was set to premiere on HBO, the six-part docuseries based on Michelle McNamara’s book of the same name about the hunt for, survi…
Garbus and her directing team that also includes Elizabeth Wolff, Josh Koury and Myles Kane weaved a detailed tale half set in the world of Joseph James DeAngelo, the former police officer who was arrested in 2018 for crimes committed decades earlier, andinto who the perpetrator could be.
“A lot of the storytelling here was about trying to know people and things that you can’t quite grasp. And Patton talked about why he wanted to make the documentary and he says, ‘Who wouldn’t want to know all of this about the person you love so much? There’s so much that you can’t capture, even when you’re married to them.’ And obviously Joe DeAngelo was somebody that people around him didn’t know, and I think for the survivors, they were asked to keep secrets their whole life,” she says.
“Every documentary wants its own shape. When you approach a project, you’ve got this wet clay of a story that doesn’t really have a shape, and it’s by examining that clay and what’s special about it that the shape becomes known,” she continues.
“We’ve been finishing this show and I’ve been editing on another film, so I haven’t gone back into the field since COVID, but interviewing somebody with a mask on or gloves or whatever we’re going to have to do is going to feel very different,” Garbus admits. “But I do think there is a way to do it safely because with docs there are smaller crews, so I do have optimism that documentaries can operate in a very safe way.
France Dernières Nouvelles, France Actualités
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