Linoleum Interview: RheaSeehorn on Studying Scripts & Jim Gaffigan
“Cameron Edwin , the host of a failing children’s science TV show called, has always had aspirations of being an astronaut,” reads the movie’s synopsis. “After a mysterious space-race era satellite coincidentally falls from space and lands in his backyard, his midlife crisis manifests in a plan to rebuild the machine into his dream rocket.
And I know I’m talking in circles, but it’s because of what you said — the film is about so much and it manages to be funny and clever and dramatic and kind of sci-fi and a little bit of magical realism. And a love story.
There’s a real beauty to that aspect. You mentioned Jim as a scene partner — every couple of years, I kind of forget how great of an actor he is and what range he has. What stood out most about working with him and him showing his skills in this versatile dual role here. Honestly, what I liked most is the props and the art direction. I was just like … I wanted to pick up every little thing that they made. Nichole McMinn doing props, but also we had Mollie Wartelle being head of production design and July Rose White’s costumes and Kaili Corcoran was the art director. All of the lo-fi elements that they did for the sci-fi show-within-the-show has them, so it’s clearly a callback to have other things very handmade.
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