Lil Peep’s ‘Everybody’s Everything’ is a posthumous grab bag that chronicles the enigmatic rapper’s rise. Read our review
features an assortment of older, sludgier material, the first half showcases Peep’s undeniable talent as a hook artist. On album opener “Liar,” which oscillates between murky “Come as You Are”-indebted bass and plaintive, Blink-182-style guitar flutters, Peep simply floats, self-consciously transcending the confines of genre: “Call it rap, call it pop, boy/ Call it what you want, boy.
“We basically mastered the original demos and put them out as is,” he told. While the rough draft nature of these tracks underscores Peep’s pop acumen, it also makes for an uneven listening experience. Peep is frequently relegated to chorus duty, and several songs nosedive the moment he hands off the mic to his collaborators, like Rich the Kid and Gab3, who splits the difference between Patrick Stump and Ty Dolla $ign, to a nauseating effect.
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