Some AI-image generators present work “as if it’s copyright free,” an attorney behind a new class-action suit said, adding that every image a generative tool produces “is an infringing, derivative work.”
Butterick told me that, given the proliferation of A.I., “everybody who creates for a living should be in code red.” Writers had their turn to be spooked in January, when BuzzFeed announced that it would use OpenAI’s new large-language model,, to augment its creation of quizzes. McKernan, who draws income from print sales as well as commissioned illustrations, told me they suspect that the amount of work available in their field is already declining as A.I. tools become more accessible online.
As Sharma sees it, the increasing accessibility of A.I. means that “everything just becomes remixable.” The artists who might thrive in this scenario are those who have the most replicable or exportable “vibe and aesthetic,” he said, among them Drake, the rare pop star who has embraced his status as an open-ended meme.
Listening to Authentic Artists’ music, however, is a bit like trying to enjoy the wavering buzz of highway traffic. If you’re not paying attention, it can serve as a passable background soundtrack, but the moment you tune in closely any sense of coherent sound gives way to an uncanny randomness. It called to my mind a much-memed comment that the Studio Ghibli director Hayao Miyazaki made after being shown a particularly grotesque A.I.
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