Host Joe Levy talks posthumous album Losst and Founnd and the late singer’s relationship with the Beatles
[in 1974]. The revelation to me was digging in hard to the later period records, everything that followedBecause the common narrative is that he blew out his voice recording with Lennon, and the later records therefore just aren’t as good because that amazing three-and-a-half octave voice is no longer there. Whereas the truth is that there’s an incredible number of great songs scattered across those later period records. The production is completely fascinating.
So every single Beatle. Think of being the guy who gets the phone call in 1968 to come over to England and hang out while they’re recording what ends up being “The White Album.” The guy who, when they’re announcing the formation of Apple Records, is anointed their favorite artist. And when somebody else says, “What’s your favorite group?” He’s going to be that, too. I mean, he’s right in the center of it in ’67, ‘68. And that’s before he becomes a really massive star in 1970.
It’s a different way of telling the story. The challenge and the learning process was twofold. One was how to use the story of this record to also tell the story of his life and career. And the second was how to integrate what for me would be usual critical insights into more of a narrative piece.
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