Venice Film Festival’s Final Cut, dedicated to films in post-production from African and Arab countries, wrapped its anniversary 10th edition on Sept. 5. As fest director Alberto Barbera welcomed t…
’s Final Cut, dedicated to films in post-production from African and Arab countries, wrapped its anniversary 10th edition on Sept. 5.
“It’s the house that she bought, with her own money. These laws were created so long ago and they simply do not apply anymore,” added director Amjad Al Rasheed, with Nasser pointing out that many women are actively trying to change it. Karim Bensalah’s “Black Light,” about an Algerian student living in France and facing deportation, was noticed too. Sold by The Party Film Sales and produced by Oualid Baha for Tact Production, it scored awards from Laser Film, offering € 15,000 for the color correction, MAD Solutions, Sub-Ti Ltd. and Sub-Ti Access Srl, Rai Cinema and the Red Sea Fund.
“‘The Cemetery of Cinema’ is a film about me, but also about my country and maybe the history of cinema in general.” “We worked with many feminist organizations, ones that support women in arts and marginalized communities, and we first met these girls in 2016,” stated Riyadh.
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