Night Country's production designer Daniel Taylor walks The A.V. Club through the finale's chilling showdown and season 4's subliminal look
True Detective: Night Country’s vibes are immaculate. Immaculately desolate, icy, and hostile that is, which is just what season four showrunner Issa Lopez and production designer Daniel Taylor set out to achieve with their inky, azure palette. Taylor tells The A.V. Club they wanted the audience to be instantly immersed in the misty, remote world of a small Alaskan town. As seen throughout six episodes, the fictional burgh of Ennis is full of harsh truths, mysteries, tragedies, and weather.
“It was quite a process because each rock wall is completely individual and bespoke. We laid it in an inner quadrant to create its shape, and then we laid plastic over the top and heated it. Then we noticed we wanted it to have a curve to it, so we reshaped it all,” he shares. “We had sections to break through and squeeze drop to the floor. It was an ordeal. The guys there hadn’t built an ice cave because there you just ... go to an ice cave.
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