The new “full on, super hyped songs” pay tribute to 90s indie rock stars like Kim Gordon and Stephen Malkmus.
Bea took it to the next level by adding a full band with bassist Eliana Sewell and Louis Semlekan-Faith on drums.
“It happened quickly, but then within the quickness of it all I released a lot of music...It still feels really overwhelming. I just finished school and stuff,” Bea says, having only completed exams at her new school last June. “When I got into the studio and could record everything properly and got a band, that’s when it all became exciting. It feels so cool. It just feels like a dream.”
When we meet for ice cream just days before her debut New York show, the fact that she’s touring the country hadn’t even set in yet. “I haven’t prepared myself for any of this. I just write a shit ton of songs. I would have never thought that I’d be doing gigs or going on tour,” Bea says later. “Now it just seems so real and now I’m in America!”
Though Bea is particularly worried that her American fans won’t know how to mosh. “I think Londoners have some crackhead energy when they mosh,” she says, laughing. “They want to throw themselves across the pit.” However, the raucous crowd at Chelsea Music Hall on September 27 proves themselves, singing Bea’s lyrics right back at her.
Though it’s much more than that. Through these songs Bea is trying to make sense of her own journey, which has been quite unpredictable, all the while fearlessly hurtling forward through space. She tackles her anxieties, her fears, and feelings of being misunderstood head on. “Writing this EP helped me with my anxiety a lot and it helped me explore myself as a musician, with different instruments, different sounds,” Bea says. “I hope it helps people with theirs too.
France Dernières Nouvelles, France Actualités
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