Whether you love it or hate it, anime has firmly lodged itself within our cultural zeitgeist.
. But for someone who grew up mocked for watching anime, I was very surprised to see how boldly our culture’s most popular icons have shown their love of anime. A part of my love for anime stems from my desire for representation as an Asian American. To me, anime was a cartoon that existed in a world that centered around Asian culture. It was, in a way, one of the earliest forms of representation on screen that I felt like I could sort of resonate with.
The answer was a lot simpler than I realized. “The 1990s saw a transnational boom in the global circulation and popularity of,” says William H. Bridges IV, an associate professor of Japanese at the University of Rochester. “During this period, American distributors and broadcasters quite literally channeledinto American homes. Following the 1990s boom, the global and critical success of Studio Ghibli pushed anime deeper into American cultural conversations.
At its core, anime is just another artistic storytelling medium, like painting or music: the most profound stories have a certain amount of universality to them, and usually make some sort of commentary on what’s wrong with the world, and how itbe instead. But something unique about anime as a storytelling medium is its approach.
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