Steven Weintraub launched Collider in the summer of 2005. As Editor-in-chief, he has taken the site from a small bedroom operation to having millions of readers around the world.
The Big Picture For his latest film, produced by Jerry Bruckheimer , Guy Ritchie has assembled a suicide squad of epic talent in The Ministry of Ungentlemanly Warfare. Based on an unbelievable true story, Henry Cavill leads an ensemble cast into the trenches of World War II, where their mission — the first special forces mission ever — is to, essentially, "scupper Germany's entire plans to take over the world." Oh, and to kill as many Nazis as possible.
The Ministry of Ungentlemanly Warfare ComedyWarHistoryAdventure The British military recruits a small group of highly-skilled soldiers to strike against German forces behind enemy lines during World War II. It's very weird to say a movie is fun when it involves as much killing, but it's all Nazis, so fuck ‘em.
PETTYFER: Well, originally, I was playing Henry's character and Henry was playing mine, and through the dialogue we managed just to switch characters. But I think there is a beauty to what Guy does. I think when you come in and there's a spontaneity, it brings a freshness, and we're all in the same boat. There's a real collaborative experience when you are sitting there and it's not necessarily the scenes that are changing, but just the interaction between the characters.
GOLDING: He’s the strategist, so he's like, “Oh, the maps here… Yeah, we're gonna do this…” and then Guy comes on set immediately after take one, and he's like, “Well, Alex, the accent is not working. Can we posh him up a little bit?” And they completely changed his character in five minutes.GOLDING: And so for an actor, if you're not flexible and pliable in the way that he is, you would struggle. I think that's a quick learning curve for a lot of us.
CAVILL: Yeah, it's very freeing because you're not having to worry too much about– You'll see the script, and there'll be pages of dialogue and you've got, like, eight pages of shooting a day…CAVILL: But sometimes that happens. You have a whole monologue, and you’re like, “This is a bit panicky.” But other times you're going, “Well, I know the line's gonna change in the morning, so I'm gonna get an idea of what the scene is about.
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