'Writing about rage and discomfort about the injustices I’ve witnessed first hand was my means of staying alive; learning from my own pain rather than trying to sleep through it.' –yelyahwilliams ❣️
Hayley Williams has some sort of instinct for eerie foreshadowing. In 2017, Paramore released the not-so-quietly political, majorly written before the election. Now, she’s releasing an album about rage, love, and the spectrum of human emotion during a global pandemic. On, she proves the timing isn’t so much foresight as it is her own quest for something real, reflection, and hope to cling to.
“All of this chaos” is a pretty accurate way to describe what 2020 has been like so far. Hayley has been slowly releasing her debut solo album over a turbulent few months. The full-length, out May 8, arrives three months after the release of the electric “Simmer.” In the short time span between, the world has— a project that moves between quiet anger, wrenching devastation, accountability, and hope — seems to magnify the way everything feels right now.
The album spans Hayley’s influences and inclinations with nods to Björk’s unique vocals and Hayley’s love of R&B . There are the unexpected electronica riffs juxtaposed against harsh melodies and angst-channeled dedications to Thom Yorke. On “Roses/Lotus/Violet/Iris,” Hayley had, Lucy Dacus, and Julien Baker come in for backup vocals — the three are at the forefront of alternative rock songwriting right now, a movement of women rockers led in part by Hayley herself.
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