Guillermo del Toro’s Mature Approach to Filmmaking with ‘Nightmare Alley’: ‘I Wanted a Dark Jewel’

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Guillermo del Toro’s Mature Approach to Filmmaking with ‘Nightmare Alley’: ‘I Wanted a Dark Jewel’
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Searchlight’s “Nightmare Alley” has four well-deserved Oscar nominations: production design, Tamara Deverell, Shane Vieau; costume design, Luis Sequeira; cinematography, Dan Laustsen; and best pict…

nominations: production design, Tamara Deverell, Shane Vieau; costume design, Luis Sequeira; cinematography, Dan Laustsen; and best picture.

“For those who have the chance, see it in black-and-white on the bigscreen; it’s a different movie in different ways,” he says. “It adds grit in a way that color can’t do. You see the crafts, the textures, the shapes, the beauty of the cinematography in a different way.” “It reflects exactly the sense of anxiety I feel as a citizen, how everything is on the brink of the precipice,” says del Toro. “It’s a movie about a character who lies and lies because he’s so afraid of losing everything — this apocalyptic feeling we have of fearing each other, of sensing that the world is about to end.”

That finale features amazing work by Cooper, who is one of three producers, along with J. Miles Dale and del Toro. “This is a movie about one character; that’s hard to sustain for the actor and director,” says del Toro. “That was daunting.”

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