Custom image from Jefferson Chacon of Giancarlo Esposito as Gracián Parish looking off to the right for Parish
The Big Picture The AMC New Orleans-set crime thriller Parish has wrapped up its six-episode season, with Gracián “Gray” Parish risking everything for revenge on behalf of his son who was murdered. Gray’s skills as a wheelman were very useful in the criminal underground, but they also were a direct threat to his family’s safety when they’d already been through enough personal tragedy and trauma.
GIANCARLO ESPOSITO: Oh, it’s changed so many times. When you deal with different collaborators, you strive to make it better and better, obviously, but the story gets amplified and gets a resonance when it gets closer and closer to the truth, so no version of this story stayed the same. Originally, I wanted to stick as close to the original Driver story as I could, and then we changed the place to New Orleans and created Gracián Parish.
That created this one section of our piece where he is constantly checking on his kids. Because one is gone, it doesn’t change the idea of checking on them. When I came home late when my kids were young, I’d go to each door and see if they were sleeping okay. That’s how that came about. It was different in the way we did it because I had to give the emotion and look in the room. If it’s on my face, I’m showing you what I’m seeing or not seeing. That became powerful to me.
ESPOSITO: There were conversations. That idea came up through my brilliant showrunners Ryan Maldonado and Eduardo Canto. I remember Ryan describing that moment and I thought, “Wow, you’re brilliant,” because it brought up a lot of feelings for me, once again. It hit me in my gut and I felt it. Who is that child that you have to leave behind, or that you wanna save, but you can’t? It’s a heartbreaking moment, but no, Gracián Parish is not ready to be able to handle that responsibility.
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