“You ever feel like there’s someone watching from the shadows?” asks Beanie Feldstein’s Fanny Brice, as haunting apparitions from the Ziegfeld star’s past waft in and out in a kind of “Fanny’s ‘Fol…
.) Rather, the issue here is the production’s inability to live up to its star-making potential that would have made us once again forgive the simplistic, sentimental and sanitized original book credited to Isobel Lennart.
But her character — and Feldstein’s performance — never goes far beyond the sentimental, tiresome and not-exactly-of-the-moment cliche of the woman who can’t stop loving her man, even after nearly every character on stage knows it’s doomed. An end-of-show empowerment reprise of “Don’t Rain on My Parade” is too little, too late.
But ah, that tuneful Jule Styne-Bob Merrill score — not to mention the iconic overture, which still gives chills even if there aren’t dozens of musicians in the pit. While the ballads “People” and “The Music That Makes Me Dance” are underwhelming here, Feldstein’s big-note numbers land well, especially “I’m the Greatest Star” and “Don’t Rain on My Parade.”successfully revivedA few songs have been smartly repositioned, one dropped, and the title song from the movie has been inserted .
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